Showing posts with label Lioness. Show all posts
Showing posts with label Lioness. Show all posts

Tuesday, June 4, 2013

Analog.

Hey Abyss,

First of all I want to thank everyone who came out to support me at SOLO-icious last weekend, I truly felt the love. My mom was able to come and see LIONESS and this was the first time she had seen me perform in a couple of years. She was thrilled, and of course had some notes for me afterwards; as she does.

This was the second public performance of LIONESS, my definite third will be happening in Ottawa next month, and I learned so much this time around. The audience was obviously different than the audience at The National Theatre School, albeit just as special. The catch with SOLO-icious is that the audience doesn't know what they have signed on to see, they just buy a ticket for the evening and take the ride. So the audience is intently gathering information about each piece as it comes out, because they are completely unrelated.

All day I had been extremely nervous about how the audience would feel about LIONESS, and my nerves ended up getting the best of me at the start of my piece. As "Wayne" I have a tendency to be very hard on myself and make judgements, for other people, about myself. I create these big personalities, which are my characters, and I have a difficult time letting them live in front of an audience. I lose faith in my abilities sometimes, and it is venomous.

I know the show entirely. Maria is inside of me. I know how she moves and how she thinks about everything and everyone. That's not a question. Granted, what I learned from performing the show last week was that I truly need to let "Wayne" fade to the back when I am playing a character. Of course there are going to elements of myself in everything that I play, but as soon as MY nerves and insecurities filter into the character in suffocates them and they can't do what I have created them for: To be an expression of me as an artist, to tell the story that we develop together. Thus, my performance isn't what it could be and ultimately, I let the character down.

Due to the fact that I also wrote the piece there is more at stake in my mind when I let my nerves get the best of me or I stumble. It is an odd feeling when you trip over the words you wrote. But even the best actors mess up, and even the best actors have bad performances where they feel they didn't do what they are capable of. As self deprecating as this all may sound, I think it is part of this journey as a young actor.

Over the last few weeks I have been talking to some very influential people about my journey into third year, and about my career. A lot of things that happened to me in last semester are starting to drop in and make sense. Somehow over the last two years I have lost sight of aspects of myself and I am looking to reclaim them in the next few months. I want to graduate from NTS as strong as possible. And the only way I can do that is to face my weaknesses head on. This summer so far has been about digging and recalling those weaknesses and thinking about how I can make then strengths.

This stuff is all old hat, I just need to reiterate it for myself. Keeps me accountable.

No auditions of late, the next big thing on my plate is a Personal Training Course that I am preparing for. Other than that I am trying to expose myself to as much inspiration as possible while enjoying my downtime. I head to Ottawa to direct Aladdin Jr. with Stabback Music Studio in 18 days!

Over the weekend my grandfather gave me his Father's wristwatch. It is a self timing watch, which means that it stops ticking when it is not on my wrist. I like that each time I take it off, before I put it on I have to set it. I think it is going to be a great way to teach me how to slow down and enjoy the simple things. Getting my first adult watch makes me feel so grown up, as cheesy as that sounds.

Life is the time we have left, and what we choose to do with it.

Night Abyss.

(Disclaimer: I am not a drag performer. Maria is simply a character who has a story to tell. And I am a man who is choosing to tell it, authentically. I have a lot of respect for drag performers but that is not the point of LIONESS.)

Saturday, May 25, 2013

The Show Must Go On.

Hey Abyss,

Since my last post I went to see The Great Gatsby. I thought Carey Mulligan blew it out of the park. And, well, Leo is just Leo. I also forgot how much I like Tobey MacGuire. It was an extremely solid cast and the visuals were, well, very Baz Luhrmann. All in all I enjoyed it.

I haven't had any auditions since the short film a few weeks ago, but that is perfectly fine considering I haven't had that much downtime with SOLO-icious hanging in the balance. For those of you who may not know what I am talking about, SOLO-icious is a solo festival that took place in Halifax last year and has expanded and come back this year. I have the absolute pleasure of being part of both years. This year, on Sunday May 26 @8pm to be exact, I will be performing my piece LIONESS which I wrote and star in. It is about a Lower Manhattan Latina single mom that goes in for a parent teacher interview regarding her 8 year old son.

I also wear a leopard print jumpsuit.

If you have been following my posts you will know that I performed this piece at The National Theatre School earlier this year as part of an assignment. Now that I am performing it outside of the school I am extremely nervous, but I think it will be a learning experience. A fresh audience is something that is so educational especially in these early stages of development for solo work. I know I am completely supported and every artist scheduled for the evening is in the same boat as me, so we just have to go and knock it out of the park. I have my tech time today and then I am supporting the first half of the performers tonight!

After my performance on Sunday I am taking a break and just chilling out for three weeks before I head to Ottawa/Toronto for a month. I am looking forward to just relaxing and taking time to read and sit outside. I am a proactive person when it comes to projects and finding things to do, but after talking to a fellow artist yesterday I realized that I have a tendency to become lazy with my technique. In other words, I am not keeping up with the training over the summer. I tend to let it fall to the waste-side, which is not good. I really have to get into the habit of being diligent in my work in and outside of school, I find myself becoming so distracted with making projects or connecting with people over a project that I am not ready for when the project is actually here!

Everything is a process and I am still pushing my way through to find what truly benefits me and how I can keep practicing self discipline. I don't think these struggles ever stop, but I do want to get into a routine with them, because the worst thing would be to become so apathetic that it all just falls away from me. And as I have said numerous times before, I need to start getting better at the things I am not so good at.

I have met some awesome people over the last few weeks and they had some wonderful insights for me.  I feel so blessed to have knowledgeable and kind people in my life who are willing to share their struggles in attempts to make me better. It is so selfless and I am entirely grateful. I find honesty and reality to be the most important things when talking to people about their careers, no one wants to be lead down a road of lies. Tell me upfront. If you can't handle the truth then you aren't ready for the life, that's my opinion.

If you are in Halifax this weekend check out SOLO-icious!

Here is an interview with Sebastien Heins the Artistic Director of the Festival: http://thechronicleherald.ca/artslife/1131080-solo-showcase-rolls-out-tapestry

I have to get ready for my tech time, thanks for listening.

Night Abyss.

Wednesday, March 27, 2013

Open.

Hey Abyss,


Solo Show happened, and it was beautiful.

It was everything I anticipated and more.

I will reiterate the talent that I am surrounded by in my class. All eleven of us are so completely different, it's wonderful. I feel honoured to be part of such a diverse class that has so many things to offer. And really neat to see that we will all be pursuing something completely individual after we graduate next year.

Where has the time gone?

The performance was phenomenal, I don't think I have ever been so nervous.

It was surreal.

I performed on Saturday to a 110 person audience, who beautifully accepted Lioness in all its glory. The opportunity to play with the audience was something that I missed deeply. There is talks of me potentially remounting the piece in Halifax this summer, but that is still undecided. I really don't want that one performance to be the end, as wonderful as it was.

The wave of energy that accosted me when I walked out was something I have never experienced before and was truly remarkable, and once I figured out how to deal with the enormous amount of energy I was home. It brought me back to all the reasons of why I love what I do and what has made me pursue this. That feeling of making people laugh, and transporting them to my world, so we can play together. Simply unforgettable. It also reminded me that is doesn't have to only be my own work that these qualities happen in. This feeling should flow through all my work, I should be affecting people that much in every performance I do, regardless of who wrote the script!

My new goal is: I want to be as open and as brave as I can be in every role. To me, right now, this is the only way to have the audience trust me enough to convince them to follow me down the rabbit hole.

Thank you Adam and Jodi, you are amazing.

We have started rehearsal for A Midsummer Night's Dream and I am playing Theseus. Joe Ziegler is directing us and he is simply awesome. His energy and enthusiasm for the text is infectious and I am stoked to get on my feet with him. I am doing my best to crossover all the work that has been percolating in me from the start of the year into this project, as there is no time like the present.

(More to come on this over the next little bit...)

I read this quote today and I think it is perfect in reminding me how to make compelling work:

"The only mistake that can truly hurt you is choosing to do nothing simply because you’re too scared to make a mistake."

I as an actor want to challenge peoples ideas and make them think about what they are seeing, and the only way I can do that is to work hard and give myself over to the art and where it wants to take me.

There is no room for insecurity, only vulnerability.

I am inspired by so many things lately, I feel both focused and pulled open. I want to be in this state for as long as I can. Anything is possible here.

Night Abyss.